Koson, Small Butterfly And Sunflower - woodblock print

Butterfly

sleeping

on the temple bell.

-Buson-

Zen Timers and Bowl/Gong Alarm Clock, Temple Bell Alarm Clock

Now & Zen

1638 Pearl Street

Boulder, CO  80302

Paeonia Suffruticosa

Peonies scattering,

two or three petals

lie on one another.

-buson-

Zen Chime Clock with Maple Leaves in Honey Finish, progressive awakening clock

Now & Zen

1638 Pearl Street

Boulder, CO  80302

Yoshida, "Plum" woodblock print

Moon, plum blossoms,

this, that,

and the day goes.

-Issa-

Zen Alarm Clock with Chime and Dream Kanji Dial Face

Now & Zen

1638 Pearl Street

Boulder, CO  80302

Ocean Women Ukiyo-e by Suzuki Harunobu

Suzuki Harunobu (1724 – 1770) was a Japanese woodblock print artist, one of the most famous in the Ukiyo-e style.  He was an innovator, the first to produce full-color prints (nishiki-e) in 1765, rendering obsolete the former modes of two- and three-color prints.  Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties.

adapted from wikipedia.org

Timer for meditation by Now & Zen Inc.

Now & Zen

1638 Pearl St.

Boulder, CO  80302

Kitagawa Utamaro Ukiyo-e, wabi-cha

Wabi-cha, or wabi-tea, is a style of Japanese Tea Ceremony particularly associated with Sen no Rikyu and Takeno Joo before him.  Wabi-cha emphasizes simplicity.  The term came into use in the Edo era (1603 to 1868), prior to which it was known as wabi-suki, suki generally referring to the concept of “artistic inclination,” and “wabi” literally meaning ‘forelorn’.

adapted from wikipedia.org

Zen Chime Clock with Japanese Maple Leaves in Honey Finish

Now & Zen

1638 Pearl St.

Boulder, CO  80302

Ukiyo-e by Ippitsusai Buncho of the actor Segawa Kikunojo

Iki is a traditional aesthetic ideal in Japan.  Iki, having emerged from the worldly Japanese merchant class, may appear in some ways a more contemporary expression of Japanese aesthetics than concepts such as wabi-sabi.  The term is commonly used in conversation and writing, but is not necessarily exclusive of other categories of beauty.

Iki is an expression of simplicity, sophistication, spontaneity, and originality.  It is ephemeral, romantic, straight forward, measured, audacious, smart, and unselfconscious.

Iki is not overly refined, pretentious, complicated, showy, slick, coquettish, or, generally, cute.  At the same time, iki may exhibit any of those traits in a smart, direct, and unabashed manner.

Iki may signify a personal trait, or artificial phenomena exhibiting human will or consciousness.

Iki is not used to describe natural phenomena, but may be expressed in human appreciation of natural beauty, or in the nature of human beings. 

Murakami Haruki (b.1949), who writes in a clear, unflinching style–at turns sentimental, fantastic, and surreal–is described as embodying iki.  In contrast, Kawabata Yasunari (1899-1972) writes in a more poetic vein, with a closer focus on the interior “complex” of his characters, while situations and surroundings exhibit a kind of wabi-sabi.  That said, stylistic differences may tend to distract from a similar emotional subjectivity.  Indeed, iki is strongly tied to stylistic tendencies.

adapted from wikipedia.org

Bamboo Digital Chime Clock, for a progressive awakening

 Now & Zen

1638 Pearl Street

Boulder, CO  80302

Kiyonaga Riverside Ukiyo-e

The phrase iki is generally used in Japanese culture to describe qualities that are aesthetically appealing and when applied to a person, what they do, or have, constitutes a high compliment. 

Iki is not found in nature.  While similar to wabi-sabi in that it disregards perfection, iki is a broad term that encompasses various characteristics related to refinement with flair. 

The tasteful manifestation of sensuality can be iki.

Etymologically, iki has a root that means pure and unadulterated.  However, it also carries a connotation of having an appetite for life.  Iki is never cute.

The basis of iki is thought to have formed among urbane commoners (chonin) in Edo in the Tokugawa period (1603 to 1868).  Iki is sometimes misunderstood as simply “anything Japanese”, but it is actually a specific aesthetic ideal, distinct from more ethereal notions of transcendence or poverty.  As such, samuri, for example, would typically, as a class, be considered devoid of iki, (see yabo). 

At the same time, individualistic warriors are often depicted in contemporary popular imagination as embodying the iki ideals of a clear, stylish manner and blunt, unwavering directness. The term became widespread in modern intellectual circles through the book The Structure of “Iki” (1930) by Kuki Sukuzo.

adapted from wikipedia.org

Digital Zen Timers, a mindfulness practice tool

Now & Zen

1638 Pearl Street

Boulder, CO  80302

yugen, a profound mysterious sense of the beauty of the universe

Yūgen is an important concept in traditional Japanese aesthetics.  The exact translation of the word depends on the context.  In the Chinese philosophical texts the term was taken from, yūgen meant “dim”, “deep” or “mysterious”.  In the criticism of Japanese waka poetry, it was used to describe the subtle profundity of things that are only vaguely suggested by the poems, and was also the name of a style of poetry (one of the ten orthodox styles delineated by Fujiwara no Teika in his treatises).

Yugen suggests that beyond what can be said but is not an allusion to another world.  It is about this world, this experience.  All of these are portals to yugen:

“To watch the sun sink behind a flower clad hill.  To wander on in a huge forest without thought of return. To stand upon the shore and gaze after a boat that disappears behind distant islands.  To contemplate the flight of wild geese seen and lost among the clouds.  And, subtle shadows of bamboo on bamboo.”  

Zeami Motokiyo

Yugen is said to mean “a profound, mysterious sense of the beauty of the universe… and the sad beauty of human suffering”.

adapted from wikipedia.org

Japanese Maple Leaves Dial Face, the Zen Alarm Clock for a progressive awakening

Now & Zen

1638 Pearl Street

Boulder, CO  80302

zen monk

The term mendicant refers to begging or relying on charitable donations, and is most widely used for religious followers or ascetics who rely exclusively on charity to survive.

In principle, medicant orders or followers do not own property, either individually or collectively, and have taken a vow of poverty, in order that all their time and energy could be expended on practicing or preaching their religion or way of life and serving the poor.

Many religious orders adhere to a mendicant way of life, including the Catholic mendicant orders, Hindu ascetics, some dervishes of Sufi Islam, and the monastic orders of  Janism and Buddhism. In the Catholic Church, followers of Saint Francis of Assisi and Saint Dominic became known as mendicants, as they would beg for food while they preached to the villages.

adapted from wikipedia.org

Digital Zen Alarm Clocks, available in maple, walnut, bamboo, and black lacquer

Now & Zen

1638 Pearl Street

Boulder, CO  80302

Bamboo trees in Kyoto, Japan

Bamboo are a group of perennial evergreen (except for certain temperate species) plants in the true grass family Poaceae, subfamily Bambusoideae, tribe Bambuseae.  Giant bamboos are the largest members of the grass family.

Bamboos are also the fastest growing woody plants in the world.  They are capable of growing up to 60 centimeters (24 in.) or more per day due to a unique rhizome-dependent system.  However, this astounding growth rate is highly dependent on local soil and climatic conditions. 

Bamboos are of notable economic and cultural significance in East Asia and South East Asia where they are used extensively in everyday life as building materials, as a food source and as a highly versatile raw product.

adapted from wikipedia.org

Bamboo Chime Alarm Clock, for a progressive awakening

Now & Zen

1638 Pearl Street

Boulder, CO  80302